![]() Power User note: The latest versions of OS X might try to stop you from installing these plugins (it's a long story), but you'll have success if you use this trick: hold down the Control key while clicking on the installer, and select the "Open" command from the pop-up menu. component suffix) into the support folder Macintosh HD\Library\Audio\Plug-Ins\Components before starting up GarageBand. Some of the plugins include an installer, but for those that don't, you'll need to place the plugin (identified by the. We've taken the time to sift through the mountains of offerings to locate the gems in the pile. Besides the vast assortment of commercial plugins, there is also a treasure trove of free synthesizers and effects that will really inspire your creative juices. The inclusion of a delay-based system makes this a well-rounded stereo spreader at a very attractive price.Even though Apple's GarageBand for Mac has all sorts of built-in instruments (and a smaller complement of audio effects), it has always been expandable by adding Audio Unit (AU) plugins. While not quite as revolutionary-sounding as the manual might suggest, MStereoSpread does offer an effective take on the frequency- spreading concept, which can be useful on a variety of separate sound sources and even final mixes (used with great care!). ![]() If you want tremolo or evolving stereo effects, your other plugins will probably do a better job. Then, to the right of the two main sections, the phase-scope lets you keep an eye out for any phasing issues, though it would be better if it included a more traditional phase bar/meter.įinally, there's Melda's trademark modulation section, although it doesn't produce particularly useful results in this plugin. MStereoSpread adds an additional feature to this otherwise rather unexciting section, though: a secondary delay of opposite polarity - handy for keeping the signal centered and sometimes enhancing the stereo effect, but sometimes sounding a little fierce. The second stereo process - Delay-Based Generator - is a more conventional comb filter-based delay that can sound harsh and ear-fatiguing if overused. This requires some common sense and judicious A/B comparison. While it can work well on all of them, the specific material has a big impact on the results, which can at times be too subtle, then jump quickly to unnatural, so it isn't useful on all signals. We tried the Spectral Generator on a wide range of material, from vocals to guitars and drums. There's also a useful left-right Invert button on both the spreader types and a global pan control that can be used to correct any left-right balance shifting that can occur, depending on the settings and the source material. The Focus control adjusts the distribution of the bands across the frequency spectrum and is best set away from the lower frequencies. Another side effect Melda warn of is that running a high number of bands causes phase- shifting, which can be problematic with certain types of material - particularly sounds with fast transients such as drums or anything with a piano-like envelope. ![]() The more bands employed, the more natural the effect, but the CPU hit can get pretty serious as the number rises. ![]() The first of the two spreader algorithms is Spectral Generator, which splits the signal into an adjustable number of frequency bands spread alternately left and right to create a natural stereo width effect that shouldn't lose the punch of the signal. "Spectral Generator splits the signal into a frequency bands that spread alternately left and right to create a natural stereo width"
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |